The Wind in the Willows, by Kenneth Grahame, is a book about a group of small, vocal animals who lived once upon a time on the banks of the stripling Thames in Oxfordshire. There is one rather famous chapter in the book called “The Piper at the Gates of Dawn,” and the way the chapter begins is roughly this. A family of otters discovers that a small, fat, otter child named Portly is missing. Rat, who is a water rat, and Mole, who is a mole, decide to go search for him in Rat’s boat, and off they go one morning just before daybreak.
Strange things begin to happen. Rat suddenly hears a scrap of music such as he has never heard before, and then before he knows it, it’s gone. “So beautiful and strange and new,” Rat sings (and since these are British animals you have to imagine the British accent). Rat also has a rather flowery way of expressing himself. “Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it forever.”
At first his friend Mole can’t hear anything — “only the wind playing in the weeds and rushes,” he says — but then when it comes again, he does hear it; and then, as Grahame writes, “breathless and transfixed, he stopped rowing as the liquid run of that glad piping broke on him like a wave, caught him up, and possessed him utterly. He saw the tears on Rat’s cheeks, and bowed his head and understood.”
Religion is listening the way Rat and Mole listened — which is listening with more than just your ears, of course, which is listening with your heart, with your intuition, with whatever is that part of you that longs, like a castaway, to hear news from across the seas. Worship is a response to that news, hearing it even in the ancient words of our forbears who themselves were listeners, who heard and then spoke of what they heard — Shema ’Yisrael, adonai Elohenu, adonai echad. Ecce agnus Dei qui tollit peccatum mundi.
Maybe it’s misleading to speak of religion as listening to something, maybe listening through would be more accurate — listening through the silence, through the prayer, through the music, through the sound of the wind in the rushes or through the sound of your own life, for whatever is to be heard beneath these things. It is listening the way a child listens or the way an animal listens for all I know, without any presuppositions about what you are going to hear or what you are not going to hear.
When you hear something like what Rat and Mole heard, what do you call it? Rat called it music that struck him dumb with joy and at the same time sent tears running down his cheeks. As for me, I would call it the sense that not the world certainly, not existence, but whatever it is that existence itself comes from, the power or ground out of which our lives spring, wishes us well, you and me, wishes to restore us to itself and to each other. It is the power that ultimately all theology and worship is about. It is the power that stirs inside us at those rare moments when we make the effort of real speech with each other, and with it.